LOS ANGELES (AP) â€" Charlize Theron's character in "Young Adult," a porced, deceived teen-lit writer, wakes adult any morning face-down in her bed wearing a same garments she had on a night before. Bleary-eyed and droughty with a face full of smeared makeup, she guzzles Diet Coke true from a two-liter bottle and maybe even remembers to open a can of dog food for her neglected Pomeranian.
She clearly has a celebration problem, that she vaguely tries to speak to her clueless relatives about, though in law would rather omit and only flow herself another potion of bourbon. It's a adventurous opening in a adventurous film, and it got me meditative about other cinema that presented alcoholism in equally vivid, steadfast terms:
â€" "The Lost Weekend" (1945): This was groundbreaking in a day for exploring what was afterwards deliberate a banned subject. Long before going by rehab was societally excusable and even encouraged, people only didn't speak about alcoholism, and film depictions of celebration were customarily glamorous or whimsical. "The Lost Weekend" is anything but: It's a nightmarish, infrequently hallucinatory prophesy of a struggling author (Ray Milland) boozing and battling his demons of a march of several days. It won 4 Academy Awards including best design and best executive for Billy Wilder.
â€" "Barfly" (1987): Barbet Schroeder's film, formed on a book by Charles Bukowski (who knew a small something about masculine torment), might have a romantic, L.A.-noir aesthetic, though it's trenchant in a no-nonsense description of dual waste people who are as most in adore with splash as they are with any other. Maybe even some-more so. Mickey Rourke is a pe-bar inhabitant and someday poet; Faye Dunaway is a grand lady with whom he falls into a discerning and available romance. They're a disaster together, though they're done for any other, since they'll both do whatever it takes to find that subsequent drink.
â€" "Leaving Las Vegas" (1995): There's a settlement here with these self-destructive writers who splash themselves into a faint to shun their failure, to shun themselves. As a Hollywood screenwriter, Nicolas Cage wants to shun all when he travels to Las Vegas to splash himself to death. He's charismatic, flighty and achingly unhappy as he pes headfirst into his conscious ruin, and a performance warranted him an Oscar for best actor. Elisabeth Shue is glorious here as a prostitute who's preoccupied by him though doesn't try to save him, and executive Mike Figgis doesn't decider possibly of them. Rather, he shows us their relationship, and a decrepit side of this city, in immediate, insinuate ways.
â€" "Bad Santa" (2003): As in "Arthur," a incessant celebration is a using joke, though a laughs come from a most darker place. Yes, Terry Zwigoff's film is consistently humorous though it's also got an unrelenting, unapologetic meant streak. Billy Bob Thornton's character, Willie T. Stokes, is a miserable guy, a part-time department-store Santa Claus and full-time alcoholic criminal man. Willie is scurrilous and anti-social, a sequence smoker who drinks so heavily, he's preoccupied when he urinates all over himself. He's an unethical bombard of a male with no possibility during emancipation â€" not that he wants one. Thornton plays him as if he were a impression in a drama, though a snippet of caricature, that creates him totally believable.
â€" "Julia" (2009): Perhaps not so most a good film as a good opening from a ever-daring and versatile Tilda Swinton as a pretension character, a lonely, self-destructive alcoholic who creates a array of unfortunate choices. Like Theron in "Young Adult," this is an inherently unlikable person. She can be a fun, flirty dipsomaniac though mostly she's a sight wreck. She's also not scarcely as intelligent as she thinks she is, so when she agrees to kidnap an 8-year-old child since she needs a money, she thinks she can do improved with a intrigue of her own. Things get nauseous â€" and a celebration doesn't accurately urge her decision-making process.
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Think of any other examples? Share them with AP Movie Critic Christy Lemire by Twitter: http://twitter.com/christylemire.
News referensi http://news.yahoo.com/5-great-movies-alcoholism-212042224.html
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